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“An intellectual odyssey, a traveler’s diary, and a comic novel all rolled into one. Smart, original, and utterly delightful.” —Daniel Gilbert, Harvard professor and bestselling author of Stumbling on Happiness
“A charming mix of history and wisdom cloaked as a rollicking travelogue.” —Walter Isaacson, bestselling author of Steve Jobs
Travel the world with Eric Weiner, the New York Times bestselling author of The Geography of Bliss, as he journeys from Athens to Silicon Valley—and throughout history, too—to show how creative genius flourishes in specific places at specific times.
In The Geography of Genius, acclaimed travel writer Weiner sets out to examine the connection between our surroundings and our most innovative ideas. He explores the history of places, like Vienna of 1900, Renaissance Florence, ancient Athens, Song Dynasty Hangzhou, and Silicon Valley, to show how certain urban settings are conducive to ingenuity. And, with his trademark insightful humor, he walks the same paths as the geniuses who flourished in these settings to see if the spirit of what inspired figures like Socrates, Michelangelo, and Leonardo remains. In these places, Weiner asks, “What was in the air, and can we bottle it?”
This link can be traced back through history: Darwin’s theory of evolution gelled while he was riding in a carriage. Freud did his best thinking at this favorite coffee house. Beethoven, like many geniuses, preferred long walks in the woods.
Sharp and provocative, The Geography of Genius redefines the argument about how genius came to be. His reevaluation of the importance of culture in nurturing creativity is an informed romp through history that will surely jumpstart a national conversation.
- Sales Rank: #15095 in Books
- Published on: 2016-01-05
- Released on: 2016-01-05
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.20" w x 6.00" l, .0 pounds
- Binding: Hardcover
- 368 pages
Amazon.com Review
An Amazon Best Book of January 2016: Eric Weiner’s first book, The Geography of Bliss, found him in search of the happiest places on Earth. Now, in The Geography of Genius, he looks for creative hotbeds where geniuses from Socrates to Steve Jobs thrived, and asks why. Moreover, why do these hotbeds eventually fizzle? The book—an irreverent and surprisingly entertaining blend of historical biography, travel essay, and sociological study—centers around this quote by Plato: “What is honored in a country will be cultivated there,” be it intellectual discourse, art, music, literature, or life-altering gadgets like the iPhone. In the process of determining the conditions by which golden ages of genius happened when and where they did, Weiner also uncovers intriguing anecdotes that serve to illuminate and humanize god-like “characters” like Michelangelo, Beethoven, and Freud. He likewise stumbles upon answers to compelling questions like, why does genius seem like such a boy’s club? I am one of those people who dog-ear pages that contain things I find particularly interesting, and few pages of this book remained intact. There are enough fascinating and fun factoids in The Geography of Genius to keep you supplied at cocktail parties and around water coolers for years. But aside from that, it documents a moving quest that wasn’t undertaken just to satisfy a journalist’s curiosity. Weiner is a father and while it’s supposedly “too late for him,” his young daughter can still reap the lessons he learned from his travels, from defining genius, and apply them to her life. I would argue it isn’t too late for any of us. –Erin Kodicek
Review
"A witty, entertaining romp. Weiner’s vivid descriptions of modern-day life in each locale make the spots feel like must-visit destinations.”
— The New York Times Book Review
“There are some writers whose company is worth keeping, whatever the subject… And Mr. Weiner is blessed with this gift. He is a prober and questioner, a big-hearted humanist who will always take a colorful, contradictory reality over some unfounded certainty.”
— Wall Street Journal
"A global odyssey that seeks to discover why geniuses gather in certain places during certain eras and why these hot spots burn out, often after a half-century of grand achievements. Weiner is a superb travel guide: funny, knowledgeable, self-deprecating and always up for sharing a bottle of wine."
— Washington Post
"The Geography of Genius is witty, informative, and compulsively readable. Whether you’re getting genius tips from Freud in Vienna or hearing the secrets of high-tech powerhouses in Silicon Valley, you’ll emerge smarter after reading this delightful travelogue of ingenuity."
— Daniel H. Pink, bestselling author of To Sell Is Human and Drive
"It’s rare to read a book that makes you laugh and learn, but Eric Weiner has done it again. This witty, wise explorer offers fascinating insights on how culture has inspired creativity across the ages—ripe for chats at water coolers and cocktail parties—and offers a practical map for how we can all become a bit more inventive."
— Adam Grant, Wharton professor and bestselling author of Give and Take and Originals
"Eric Weiner has single-handedly invented a new nonfiction genre in which a brilliant and hilarious writer leaves his home and family to circle the globe in search of the answer to a timeless question. The Geography of Genius is an intellectual odyssey, a traveler’s diary, and a comic novel all rolled into one. Smart, original, and utterly delightful, this is Weiner’s best book yet."
— Daniel Gilbert, Harvard professor and bestselling author of Stumbling on Happiness
“An entertaining and thought-provoking book, a combination of history and travelogue… Part of the book's charm stems from the pure joy of experiencing these places alongside a narrator like Weiner… His wry wit shines through as he drinks sublime tea in China and contemplates a coffin collar in an Edinburgh museum; as he interviews figures such as Jack Ma, a Hangzhou native who founded multibillion dollar company Alibaba; and as he wanders the Ringstrasse of Vienna and the strip malls of Silicon Valley, pondering the conditions that lead to genius.”
— Christian Science Monitor
"Why do certain places produce a spontaneous eruption of creativity? What made Athens and Florence and Silicon Valley? This witty and fun book has an insight in every paragraph. It’s a charming mix of history and wisdom cloaked as a rollicking travelogue filled with colorful characters."
— Walter Isaacson, bestselling author of The Innovators and Steve Jobs
"Weiner is an affable tour guide and a lively, witty writer in the style of Bill Bryson; the connections he makes between places of genius are sharp and sometime unexpected."
— Booklist
“Informative and dryly witty, Weiner's odyssey is both an insightful examination of genius and a call to readers to explore their own untapped creative resources.”
— Shelf Awareness (starred review)
“Fun and thought provoking.”
— Miami Herald
"Weiner illustrates the power that culture and location can lend to creative efforts. Using a series of well-crafted travel essays the author propels readers across the globe… A welcome read for lovers of geography, history of geography, historical travel, travelogues, and the history of science."
— Library Journal (starred review)
“Well read, thoughtful and above all curious, Weiner invites the reader to explore a satisfying take on a meaningful topic while also enjoying daily pleasures in cities around the world.”
— BookPage.com
"In the genial style of Bill Bryson, Weiner scouts the world looking for places that have spawned geniuses."
— Kirkus Reviews
About the Author
Eric Weiner is author of the New York Times bestsellers The Geography of Genius and The Geography of Bliss, which has been translated into twenty languages, as well as the critically acclaimed Man Seeks God. A former correspondent for NPR and The New York Times, Weiner’s work has appeared in the New Republic, Slate, Los Angeles Times, The Washington Post, Foreign Policy, The New York Times Magazine, and the anthology Best American Travel Writing. Visit EricWeinerBooks.com
Most helpful customer reviews
96 of 110 people found the following review helpful.
Around The World In 80 Anecdotes
By Allan M. Lees
There's a school of thought that runs something like this: the average US citizen isn't very bright, has a limited attention span, and has an appetite only for the superficial. So if you want to write a book about something you feel to be important, you have to sugar the pill - with lots and lots of sugar and make sure it's a very small pill indeed.
Hence the style "American-Folksy." In this genre the author leads the reader gently along by means of first-person narrative, tons of anecdote, and just the gentlest hint of new information here and there. The lexicon is undemanding and the pace is calculated to be just brisk enough to prevent the onset of catatonia while being leisurely enough not to require any strenuous intellectual activity on the part of the reader. It's basically DisneyWords.
This is a well-tried genre used across a wide variety of subjects. In Search of Excellence and The Omnivore's Dilemma both use the same style despite their contexts being very different. And Weiner uses American-Folksy here for precisely the same reasons and to precisely the same effect. The purpose of American-Folksy is to take something that could have made a somewhat interesting 6-page monograph and stretch it out into a book-length peregrination.
The problem with American-Folksy, however is that it's not just a question of stretching things out and diluting ideas into easy-to-digest micro-fragments. The core problem is that when you meander around a topic rather than condense it down to its essentials you can very easily overlook the logical flaws inherent in your treatment and the gaps in your arguments. And that's precisely the problem with this book. It tries to identify a particular set of conditions that may give rise to an unusual density of "geniuses" at a particular moment in time. In other words, it tries to use the same concept as Jared Diamond's seminal Guns Germs and Steel: what's the "secret sauce" that results in a particular outcome?
Unfortunately "genius" is a slippery concept. Weiner is never quite sure whether he means creativity or something else. He's also uncertain about whether "genius" is objective or subjective. And when it comes to the accretion of "helpful facts and ideas" he ranges so widely that his central thesis appears to collapse into nothing more than an assortment of anecdotes. He cites studies that purport to prove what the experimenters were hoping to find (which, we know, are usually not worth the paper they are written on) and in which the "findings" are wonderfully undefined: as in "the test subjects were more creative." How was this "creativity" measured? Was it a properly designed double-blind study? Well, we do at least have a proper bibliography so if we're sufficiently interested we can review the research ourselves but it's difficult to have much confidence in what's presented.
This is not mere nit-picking. The objection is at the heart of empiricism. If you can't define it you can't measure it, and if you can't measure it you can't make meaningful statements about it. Most people are content with vague notions that blur at the edges because they rarely stop to think about what they truly are attempting to convey. We habitually use language with tremendous imprecision, so that "I'm starving" actually means "I've never actually been truly hungry in my life but I haven't eaten for ninety minutes and I always eat a cheeseburger and fries around this time of day." For quotidian discourse this kind of lazy speech is acceptable (after all, who in the USA has every been truly hungry?) but it's not acceptable in a book purporting to investigate a serious phenomenon and draw conclusions about it. Nor is the assumption that correlation is causation. For every "contributory factor" Weiner purports to identify it's easy to think of several instances in which genius did not emerge. In Search Of Excellence suffered from precisely the same problem: cherry pick a few outcomes, work backwards to identify common features, and voila: you have the desired recipe. Except that there are lots of other examples where the same recipe doesn't produce the same outcome. Every newbie statistician learns this lesson; it's a shame that this wasn't among the many anecdotes Weiner picked up in the course of his peripatesis.
Another problem comes from the fact that for all the name-dropping, Weiner doesn't actually know very much about the subjects he ranges across. When discussing Einstein, for example, he makes the legitimate point that had the great man been born in another era he wouldn't have developed his Special Theory of Relativity. But Weiner seems to think this would have been because (a) there wouldn't have been the physicists around to appreciate it, and (b) the young Einstein would have chosen a different contemporary field of study where there were more obvious opportunities. What Weiner doesn't note, however (doubtless because he doesn't know much about physics) is that without the prior contributions of Maxwell and Lorentz the Special Theory could not have been developed, just as without Lyell it is unlikely that Darwin would have been able to develop his theory of Evolution. These (and several other examples) demonstrate that it is highly unwise to write a book speculating about the "causes" of genius when you don't have a grasp of the fundamentals. It's easy to be superficial; quite another matter really to get to grips with the material. Weiner, like so many people of our age, is content to confuse surface with depth.
The final flaw in Weiner's somewhat sketchy thesis comes in the last chapter when he breathlessly alights in Silicon Valley. Whereas the "genius" examples Weiner selected from the vast skein of history contributed new ideas and new perspectives to humanity, Weiner's Valley examples contribute merely utility. Utility is a good thing, but if the provision of utility were a qualifier for the epithet "genius" then surely Weiner should have heaped upon our plate in earlier chapters examples from the Industrial Revolution? Surely the development of the railway, the development of steel cutlery, the development of internal plumbing and central heating and powered elevators and suchlike should have been included in his round-the-world-in-eighty-anecdotes book? Weiner seems to accept that the utility of a smartphone or a social media website is akin to the intellectual breakthroughs he has charted earlier. Yet a moment's reflection shows this to be nonsense. I may personally value toilet paper more than I value the works of Jacques Derrida but that doesn't make the guy who invented the machine to make toilet paper a "genius." This is particularly germane because today's Silicon Valley is largely caught up in trivia. Few are working on the complex underpinnings of our information age. The great leaps forward (in processor and memory devices, in data storage, in data transmission and networking) have been taken for granted and now the focus is on superficial objectives such as creating apps that enable people to select the right wine pairing with their choice of main course. While perhaps marginally useful they are not game-changing. Facebook and Twitter may be used by people occasionally for more than just posting pictures of cats but in essence they are merely outlets for virtual graffiti. And in contrast to other locations cited earlier in the book (the central thesis of which is that at a particular moment in time a particular place becomes the incubator for many different forms of genius) Silicon Valley has spawned no cultural efflorescence. For all the thousands of geeks tapping away at keyboards trying to invent the Next Big App there has been no outpouring of art. These young wannabes are content to listen to stale formulaic pop, read each other's Tweets, and the closest to high culture they ever reach is Friday night standup improv. At least Manchester's dark satanic mills inspired Blake.
By failing to grasp the difference between the useful and the revolutionary, and by signally failing ever to define (even vaguely) what he might mean by "genius" Weiner ultimately reveals that the cards he's been attempting to play are nothing more than a random assortment. It's the ultimate in bathos.
Perhaps if Weiner had attempted to distill his thesis into a handful of pages he'd have been forced to see its intellectual inadequacies and then, perhaps, he might have been motivated to address them. The result would have been an interesting thesis. As it is, The Geography of Genius reads rather as if someone had given a precocious High School student a year-long travel grant. It's an interesting vacation report but little more. If you are looking for an "airport book" but don't care for the tedium of thrillers-by-numbers or the latest ghost-written tell-all of some ephemeral celebrity, this book will offer a little more substance to while away a few hours. But it could, in principle at least, have offered a great deal more.
44 of 49 people found the following review helpful.
An entertaining if factually tenuous look at genius and where it is most at home
By Michael Birman
Author Eric Weiner examines creativity as a function of the locations that were historically the best milieu for producing creative genius of all kinds. Weiner's thesis is that the spirit of certain places like Vienna in the 18th and early 20th centuries, ancient Athens, Florence Italy at the beginning of the Renaissance, Edinburgh in the 18th century and Silicon Valley in our own day, seemed to foster creativity at the highest levels.
It's an interesting thesis and certain places do appear to influence creativity. However, any major city is likely to have more talented individuals than elsewhere and places like Silicon Valley actively solicit and attract talent as a function of what they intrinsically are, so Weiner's thesis is difficult to prove. His writing style is light-hearted and non-threatening, making it an entertaining look at creative genius with few intellectually challenging moments.
Weiner makes some serious factual errors even as he professes ignorance in the subjects he writes about. For example, in the chapter in which he discusses Mozart and 18th century Vienna, Weiner asserts that the composer wrote six string quartets when he actually composed twenty-seven, beginning with K.80 written in 1770 when Mozart was 14 years old. He later writes that Mozart's first five piano concertos were composed by others (the first four were so-called pastiche concertos in which individual sonata movements by others were assembled and orchestrated by Mozart and the fifth concerto was entirely original).
When the author discovers that his Viennese hotel is actually named after an important musical term (the Adagio), he is stunned. I wonder if this level of ignorance is really a positive in a book about knowledge and genius. Nevertheless, if you are interested in the nature of creativity and don't mind sharing the author's lack of knowledge, you will probably enjoy The Geography of Genius and its frothy, wide-eyed sense of discovery. If you are well acquainted with artistic, scientific and intellectual creativity, you may find this book a bit simplistic and the author's occasional factual errors disconcerting. The bottom line is that The Geography of Genius is an entertaining, light-hearted look at genius and where it is most at home.
10 of 10 people found the following review helpful.
Interesting and invormative study of how genius occurs.
By John Martin
In The Geography of Genius, Eric Weiner searches for the world’s most creative places and finds seven of them, which he visits and explores in detail. Weiner is described on the inside back cover of the book as a “philosophical traveler and recovering malcontent,” but at the same time he writes in an interesting and informative manner. The seven are visited in historical order starting with Athens and continuing with Hangzhou, China, Florence, Edinburgh, Calcutta, Vienna (twice) and finally the Silicon Valley area of California. He visits each location, talks with local experts and includes scientific studies that support the points he makes.
Genius, it turns out, comes in a number of guises. He begins by saying that geniuses pop up in clusters, not as isolated individuals. One definition of a genius is the fashionist—a genius is someone regarded by others as a genius. Among the points Futterman makes are: (1) Genius occurs in problematic places, not paradises. Places of genius require “extra effort” to live there. He quotes Graham Greene as saying about Switzerland, “They had brotherly love, 500 years of democracy and peace and what did they produce: the cuckoo clock.” Actually, Futterman adds, the cuckoo clock was invented in Germany. (2) Alcohol and walking are two ways to promote the creative process. (3) Geniuses need mentors and people to bounce ideas off. Even Don Quixote needed Sancho Panza. (4) Geniuses do not care what others think about them. (5) Geniuses often were not very good students in school. (6) Genius is interdisciplinary—not just focused on one subject. (7) Geniuses look at failure differently from others. They analyze them more closely to avoid making the same mistake again. Futterman makes additional points as he examines each community.
This book is interesting and informative. I recommend it both for its historical information and its description of genius.
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